Books
Deep Vellum, 2022
Love poems dedicated to an adverb.
Selections:
"Morning Freight," The Slowdown
"Book of Panda," Sixth Finch
"Throwing Rose, [Anon]," amberflora
"Wake, [Anon]," Cordite Poetry Review
Four Poems, ANMLY
Three Poems, Sepia Journal
Five Poems, Berkeley Poetry Review (with interview)
Seven Poems (print only), Oxidant/Engine (Volume 3)
Deep Vellum, 2021
A book of testimonies in verse.
"Wildly inventive." —Layla Benitez-James, Poetry Foundation
"[A] searing treatise against and indictment of war. Terazawa is exacting in her visions of the personal and trans-national past." —Diana Khoi Nguyen
"Terazawa’s poetry―trial, exhibition, demonstration, transfiguration, ballad of descendant unquiet―is the hardest won form of love. It is poetry as refoliation." ―Brandon Shimoda
"This collection guides us to listen deeper and encourages us to consider who speaks and is allowed to speak, who jurors the justice and receives the justice, who can and cannot answer the questions to make us whole." —Anthony Cody
"A chamber for transformation, a hill for a tattered flag, and a hill again, to run down, arms open, holding out an amulet of love." —Farid Matuk
"This is absolutely essential reading—and you will need to spend some time with I AM NOT A WAR, revisiting passages from its past pages as you continue, taking in its images both written and visual."
Selections:
Three Poems, AAWW
O-Graft, Cincinnati Review
Two Poems, Sundog Lit
Bylaw [S.1] String-and-Wire Abecedarian, Birdcoat Quarterly
Bylaw [S.3] Object Lesson, Poetry Online
Aubade Before Tribunal, Qu Literary Magazine
Closing Statement, New Delta Review
Chapbooks:
Factory Hollow Press, 2019
winner of the 2018 Tomaž Šalamun Prize
a winner of the 2015 Digital Chapbook Contest
"This is absolutely essential reading—and you will need to spend some time with I AM NOT A WAR, revisiting passages from its past pages as you continue, taking in its images both written and visual."
—Rosebud Ben-Oni
